SUMMER SCHOOL
2021

for Sexualities, Cultures, and Politics

Gender and Culture – New Reading of Gender

Series of panel discussions aims at further development of critical thinking...

KISSING AREA

In these four “public walls”, all boundaries are erased...

MIRROR

A public space intervention, initiated as a critique of the politics of public space...


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Category root ALL

Summer School 2021

 

SUMMER SCHOOL

FOR SEXUALITIES, CULTURES, AND POLITICS

(17-22 August 2021, Belgrade, Serbia)

organized by

Research Center for Cultures, Politics and Identities (IPAK.Center)
and Department for Critical Political Studies (Faculty for Media and Communications, Singidunum Univeristy, Belgrade)


CONFIRMED LECTURERS

  • Confirmed lecturers:
    • Jack Halberstam (Columbia University, USA)
    • Gavin Butt (Northumbria University, UK)
    • Susanna Paasonen (University of Turku, Finland)
    • Jenny Sundén (Södertörn University, Sweden)
    • Ljubomir Danailov Frckovski (FON University, North Macedonia)
  • The school consists of the following elements:
    • Lectures, Seminars, Cultural and Activist Programme, and Open Lectures Programme. ALL SESSIONS WILL BE HELD ONLINE VIA ZOOM.

    * The detailed programme and information related to the lectures’ content will be published by mid May 2021.

Eligibility and Tuition

ELIGIBILITY

  • Applicants should be postgraduate students (preferably MA or PhD students or younger researchers) interested in exploring the issues of gender, queer, cultural studies, media studies, philosophy, political studies, visual arts and humanities and related areas. However, outstanding BA students are also considered and have the chance to enroll.
  • We especially welcome applications from independent scholars, cultural workers and artists.
  • Applicants from all countries are eligible to apply.

APPLICATION

  • All applicants should fill in the Application Form (available online at www.ipakcentar.org)
  • Paper abstract is optional. If you wish to deliver a presentation, post your abstract in the Application form (appr. 250 words max.) for a presentation not exceeding 15 mins.
  • Maximum number of students delivering presentation: 24 (maximum 6 presentations per afternoon session). Please indicate in the application form whether you wish to deliver a presentation or not by simply posting your abstract or ignore if not applicable.

ECTS

  • Students who deliver presentations will receive 4 ECTS, applicable on MA or PhD level at participants’ home universities.
  • Students who choose not to deliver a presentation will receive 2 ECTS, applicable on MA or PhD level at participants’ home universities.
  • ECTS are given according to FULL attendance of the school’s programme (open lectures included).


TUITION FEES

  • Applicants from Central and East-European (CEE) countries studying at universities within CEE1: 140 Euro (no discount applicable).
  • Applicants from Europe and worldwide: 180 Euro (discount applicable).
  • Singidunum University students: 70 Euro (no discount applicable).
  • Former SSSCP students are offered 15% tuition fee discount (origin notwithstanding).

1For the purpose of this call, the following countries fall under the term: Bosnia and Herzegovina, Montenegro, Macedonia, Kosovo, Serbia, Croatia, Slovenia, Slovakia, Bulgaria, Hungary, Albania, Romania, Greece, Turkey, Czech Republic, Poland.

  • Note that we offer 15% discount if the participant applies in the first application deadline.
  • The fee covers tuition, study materials during the school, and certificate.

APPLICATION DEADLINES

  • Deadline 1 (early applications, 15% discount):
    May 15th / selection results by May 25th/ payment due June 10th
  • Deadline 2 (regular applications, No discount):
    June 15th / selection results by June 25th / payment due July 5th
  • Deadline 3 (late applications, No discount):
    July 5th / selection results by July 10th / payment due July 20th

CANCELLATION POLICY

If an applicant admitted as participant in the summer school wishes to disenroll, he or she is entitled to 80% of the tuition fee paid provided that the organizers are properly informed not any later than one (1) month before the program of the summer school commence.

If you fail to do so, we will be unable to reimburse your paid tuition fee.

Publications

IPAK.Center is commited to publishing occasional editions that are mostly connected to our activities and project. IPAK's editions are mainly online-only, open-access publications, as we try to popularize our attempts in critical knowledge production. We are committed to publishing new and innovative work in the domains of critical theory, sexuality studies, queer and gender studies, but also various intersections across these discipline.

Lecturers: Bios

Jack Halberstam (Columbia University, USA)

Jack HalberstamJack Halberstam is Professor of Gender Studies and English at Columbia University. Halberstam is the author of seven books including: Skin Shows: Gothic Horror and the Technology of Monsters (Duke UP, 1995), Female Masculinity (Duke UP, 1998), In A Queer Time and Place (NYU Press, 2005), The Queer Art of Failure (Duke UP, 2011), (Beacon Press, 2012) and, a short book titled Trans*: A Quick and Quirky Account of Gender Variance (University of California Press). Halberstam’s latest book, out in 2020, from Duke UP is titled Wild Things: The Disorder of Desire. Places Journal awarded Halberstam its Arcus/Places Prize in 2018 for innovative public scholarship on the relationship between gender, sexuality and the built environment. Halberstam is now finishing a second volume on wildness titled: The Wild Beyond: Music, Architecture and Anarchy.
 

Gavin Butt (Northumbria University, UK)

Gavin Butt is a scholar of modern and contemporary art whose work contributes to the fields of art history & visual culture, performance and queer studies, and popular music studies. Trained as a fine artist and art historian, he is a writer, curator and filmmaker. He is currently completing a book 'Being in a Band: When the Leeds Art Experiment Went Pop' which focuses on a crisis of legitimacy for modern art education in the 1970s and 1980s and groups that came out of art school, including Scritti Politti, Gang of Four, Fad Gadget, Delta 5, Three Johns and Soft Cell. He is co-editor (with Mark Fisher and Kodwo Eshun) of Post-Punk Then and Now, Repeater, 2016. He is also working towards completion of a second book, 'Anti-Gravitas' exploring the challenges to cultural seriousness presented within queer art and performance. He is co-author (with Irit Rogoff) of ‘Visual Cultures as Seriousness,’ Sternberg, 2013. In 2013 he made his first feature length documentary film, co-directed with journalist Ben Walters - Not a Dream.
Butt was the co-director of Performance Matters (2009-2013), a creative research project funded by the Arts and Humanities Research Council. He was lead curator in the second themed year of the project, Trashing Performance. He is also author of Between You and Me: Queer Disclosures in the New York Art World 1948-1963 (Duke 2005) and editor of After Criticism: New Responses to Art and Performance (Blackwell 2004).
 

Susanna Paasonen (University of Turku, Finland)

Susanna Paasonen is professor of Media Studies. After finishing her PhD in Media Studies in Turku in 2002 she acted as lecturer in Media Culture at University of Tampere (2003), as an Academy of Finland postdoctoral researcher at the Centre for Women's Studies in Turku (2004-5), as senior research associate in Digital Culture at University of Jyväskylä (2005-7), as Collegium researcher at the Collegium for Advanced Studies at University of Helsinki (2007-10) and as professor of Digital Culture at Jyväskylä (2010-11) before starting in her current post in August 2011. She was the first recipient of the Finnish Academy of Science and Letters' Jutikkala Award in Humanities in 2011. Paasonen has broad teaching experience in media studies, cultural studies, digital culture and gender studies. She is currently in charge of postgraduate studies at the department of Media Studies, classes on media and networks, as well as theme courses connected to social media, sexuality, affect and pornography. With an interest in studies of popular culture, affect, sexuality, and media theory, Paasonen is e.g. the author of ‘Carnal Resonance: Affect and Online Pornography’ (MIT Press 2011) and ‘Many Splendored Things: Thinking Sex and Play’ (Goldsmiths Press 2018), co-author of ‘Not Safe for Work: Sex, Humor, and Risk in Social Media’ (with Kylie Jarrett and Ben Light for MIT Press, forthcoming), as well as co-editor of ‘Pornification: Sex and Sexuality in Media Culture’ (with Kaarina Nikunen and Laura Saarenmaa, Berg 2007), ‘Working with Affect in Feminist Readings: Disturbing Differences’ (with Marianne Liljeström, Routledge 2010) and ‘Networked Affect’ (with Ken Hillis and Michael Petit, MIT Press 2015). Her current book-length projects focus on boredom and distraction in social media, on feminist tactics and humour in social media (with Jenny Sundén), and on the notion of objectification (with Feona Attwood, Alan McKee, John Mercer and Clarissa Smith).
 

Jenny Sundén (Södertörn University, Sweden)

Jenny Sundén is Professor of Gender Studies at Södertörn University in Stockholm. Her work is situated in the intersection of digital media studies and gender and sexuality studies, with a particular focus on bodies, desires, sexual politics, and technologies. She is currently working on questions of digital fragility and its consequences for queer theory and queer lives, as well as on feminist uses of humor in social media as forms of resistance. She is the author of Who’s laughing now? Feminist tactics in social media (MIT Press, forthcoming, with Susanna Paasonen), and Gender and sexuality in online game cultures: Passionate play (Routledge, 2012, with Malin Sveningsson).
 

Ljubomir Danailov Frckovski (FON University, North Macedonia)

Ljubomir Danailov Frchkoski (1957) is a Dean at the Faculty of Legal and Political Studies (FON Univeristy, Skopje, Macedonia), and a full-time professor at the same Faculty in Public International Law, International Law for Human Rights, Political Theories I & II, Political Philosophy, Philosophy of Law, and Negotiation in Identity conflicts. As a guest lecturer he was widely engaged in Europe and North America; and as a visiting professor was lastly engaged on the International Relations and Negotiations, International Human rights Law program at the Russian Presidential Academy of National Economy and Public Administration (May 2018), and before in Italy for more than 7 years on the second cycle study/master program of the International Institute for European Studies (IUIES) and also at Università degli studi Internazionali di Roma. Besides being dedicated to issues of human rights, the scientific focus of his late work is on political philosophy and psychoanalysis. He has been also politically involved in some periods during the Macedonian independence, and he is one of the writers of the Macedonian Constitution from 1991. He is the author many books, including ‘Human Rights and Psychoanalysis’ (2019), ‘Restless Nationalism’ (2016), and ‘Negotiation in Identity Conflicts’ (2012).

2014 Proceedings

Stanimir Panayotov and Ana Koncul (Eds.), Proceedings from the Summer School for Sexualities, Cultures and Politics 2014, Belgrade: IPAK.Center, 2015.

The following texts have been written by a range of talented young scholars, artists and activists. We consider the first issue of the SSSCP Proceedings a great contribution to a wider body of research conducted within the field of cultural studies overall, but also to queer theory/politics/practice, gender studies, media and studies of the body. What differentiates this collection from others is a delicate balance between personal journeys and academic adventures that authors have taken upon. The first edition is also of invaluable importance and an immensely relevant input to a regional political and cultural struggle to embrace otherness. We would even go as far as to claim that the present collection represents a fresh and daring contribution to the inert regional academic production and a useful, empowering tool for various sorts of activist and artistic endeavors.

Stanimir Panayotov and Ana Koncul (Eds.), Proceedings from the Summer School for Sexualities, Cultures and Politics 2014, Belgrade: IPAK.Center, 2015.

​Stanimir Panayotov and Ana Koncul
Note from the Editors

Steph Schem Rogerson
Queer Archives

Claire Finch
Mutating France’s Queer Territories

Antonina Anna Ferrante
In Drag We Trust: Normative Drives and Homonationalism in RuPaul’s Drag Race

Thomas Muzart
Pornography Must Be Defended: Rethinking Pornography with Lionel Soukaz

Marius Henderson
Tentative Heretical Notes on Queer “Necro” Practices and Sensibilities

Jennifer Vilchez
Hard to Swallow: Porn Star James Deen’s Arousing Work and Young Women’s Fandom

france rose
[ the space in between ]: The Power of Contemporary Art to Reimagine Gender

Mónica Guerreiro
Intense, Animal, Imperceptible: Vera Mantero’s a mysterious Thing, said e. e. cummings* as a Queer Dance Solo

Anna Wates
Grieving as Political Action: Contesting Austerity Politics through Narratives of Loss in the Disabilities Rights Movements

Melisa Slipac
When a Woman Loves a Woman: Lesbian Love and Homosexual Desire in Ajla Terzić’s Novel Mogla je biti prosta priča (Could Have Been a Simple Story)​

Blog Feed

Jelisaveta Blagojević: Politics of Unthinkable Desire On Love, Jealousy, and the Telephone Jelisaveta Blagojević: Politics of Unthinkable Desire  On Love, Jealousy, and the Telephone Apr 28,19:30, 2015 Within the context of its queer reconceptualization, desire can be conceived as a capacity to go beyond what is thinkable. On the one hand, there is traditional “western” model of thinking understood as the rational/dialectical thought which, in its circular manner, can onl...
Jelisaveta Blagojević, "Novo lice totalitarizma" (NIN, jul 2014) Jelisaveta Blagojević,  Ovaj motiv koji se dakle odnosi na kritiku savremenih oblika fašizacije društva pokušavam da prenesem na vreme u kome mi živimo i na ovaj ovdašnji kontekst. Teza je da se fašizam ili fašizmi dosta dobro ’drže’ u vremenu u kome živimo i važno je, iako ne i dovoljno, da se pritom u...

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