SUMMER SCHOOL
2021

for Sexualities, Cultures, and Politics

Gender and Culture – New Reading of Gender

Series of panel discussions aims at further development of critical thinking...

KISSING AREA

In these four “public walls”, all boundaries are erased...

MIRROR

A public space intervention, initiated as a critique of the politics of public space...


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​Video Lecture by Ana Hoffner

Queerness of Memory: Presenting the Videos “After the Transformation” and “Transferred Memories”

The artistic research project The Queerness of Memory intervenes in contemporary politics of memory. As both a theoretical concept and a tool for artistic exploration, the project follows the assumption that memory is shaped by queerness and that remembering is mostly a strange, ungraspable and actively constructed process, intertwined with sociopolitical, historical and economic conditions. The queerness of memory emphasizes the role of desire for politics of remembrance and challenges to think if there might also be pleasures to be found between remembering and neglecting, between knowing and not knowing, instead of traumatic loss and pain. With such an emphasis on desire the queerness of memory becomes a concept about the hovering between activity and passivity, it is engaged in a process of remembering which is situated in an uncontrollable but not determined area. The queerness of memory is more about the creation of an unsettledness then about activist programs, which suggests the employment of remembering for political purposes. Speaking of a queerness of memory is based on memory’s ungraspable appearances, on the very impossibility to root, essentialize or naturalize memory’s meaning, both for a subject and social historical formations. For the presentation the concept will be introduced through two video works. After the Transformation actively uses the concept of the queerness of memory in order to rework the notion of Eastern European transformation. The video is situated in the voice training of a queer person posing questions around a desire for a time after the embodied social and political change. Transferred Memories, Embodied Documents works with memory in order to create a queer relation between two performers who deal with images of atrocities of the Bosnian War together. They both describe their view of these images and listen to each other’s descriptions of their reactions, thereby gaining recognition for their affective responses in front of the images. However they do not depend either on an identification with the bodies shown in the footage nor on an identification with each other. Instead they create a queer temporality in which respeaking and restaging of visual material becomes central.​

Open Lecture by Lynne Huffer

Strange Eros

This lecture engages the fraught problem of a sexual ethics by rethinking eros through a queer feminist lens. I argue specifically that to think the present genealogically is to experience the present as a thinking-feeling, archival temporality that both binds and unbinds us in relation to our time. Drawing on Foucault as well as the poet Anne Carson, I reexamine the otherness of historical time through the lens of a strange, untranslatable, ancient eros. Untranslated, eros names that which establishes the limit between us and the Greeks, between modern sexual subjects and what we are not. I ultimately argue that this erotic approach to historical time offers an alternative understanding of modern subjectivity in our post-Freudian, biopolitical age.

IPAK Mirror

The project „Portret of an activist is her mirror“, supported by Reconstruction Women’s Fund, is a public space intervention, initiated as a critique of the politics of public space, which is determined by the dominant patriarchal, masculine system where a lack of visibility of female voices and thinking can be percived. The idea of the project is the transformation of the public space of Belgrade and its enrichment with figures of women who contributed to the development of art and culture, women’s empowering and indipendence, political strugle for women’s rights and rethinking the position of the woman in the world. With this project mirrors with the outilne of an activist, philosopher, feminist, scienties and/or an acress whit one of her quotes that states requestioning the position of the woman in the society, were installed in the streets of Belgrade. The fact that passers-by see their reflaction in the mirror with the particular outline and quote is pointnig out that women who influenced any of the mentioned fields aren’t distant, foreign or forgotten, but that their thought are still relevant; the woman on the mirror, a feminist, can be any woman in the mirror.

Blog Feed

Jelisaveta Blagojević: Politics of Unthinkable Desire On Love, Jealousy, and the Telephone Jelisaveta Blagojević: Politics of Unthinkable Desire  On Love, Jealousy, and the Telephone Apr 28,19:30, 2015 Within the context of its queer reconceptualization, desire can be conceived as a capacity to go beyond what is thinkable. On the one hand, there is traditional “western” model of thinking understood as the rational/dialectical thought which, in its circular manner, can onl...
Jelisaveta Blagojević, "Novo lice totalitarizma" (NIN, jul 2014) Jelisaveta Blagojević,  Ovaj motiv koji se dakle odnosi na kritiku savremenih oblika fašizacije društva pokušavam da prenesem na vreme u kome mi živimo i na ovaj ovdašnji kontekst. Teza je da se fašizam ili fašizmi dosta dobro ’drže’ u vremenu u kome živimo i važno je, iako ne i dovoljno, da se pritom u...

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